I do so love my new camera. And, as if on cue, thanks to the Muslim tyranny of Obamalight Savings Time™, now it’s fully light out at cocktail time! I do hope Rand Paul succeeds in his quest to have all those huge government warehouses full of extra daylight opened up. Just think how much brighter we’ll all be then!
There has to be a special circle in Hell reserved for people like me who go to the trouble of marinating chicken in whey for 24 hours and then can’t be bothered to make proper fried chicken with it the following evening. I look forward to seeing what delights await me; I imagine it’s like that scene in Being John Malkovich where Malkovich himself goes through the door except that everybody is Paula Deen and they speak only in emoticons. Probably the frowny face ones with the tears, on account of it’s Hell and all.
I had a request for fish and chips, which I make occasionally, and since the day was dreary and cold fried food seemed a fitting repast. I don’t do this sort of thing often, since frying is a pain in my ass and makes a big mess (in addition to being unhealthy). On the plus side, it tastes good and best of all it allows me to pour oil all over my table when I take pictures of the finished dinner. You know, for ambiance.
Well, that felt good. I was overdue for a tirade, I guess. If I had any savvy I’d rave like that all the time, since those posts (see the “best of” page for all you newcomers) always get mad traffic.
I forgot to mention that a contributing factor to the blogstipation around here has been a matter of simple laziness; since I’m out at least once a week shooting pictures, my tripod, light stand, and other gear tend to stay in the car. So when dinner time rolls around, the prospect of going out to get them and set them up in time to shoot a plate of food seems like too much work. Come summer, this will all be moot in the abundant natural light, but for now it represents an obstacle, if a silly one. I did, however, want to show off this new bowl—part of my first ever firing in a wood kiln.
I don’t read a lot of food blogs. In fact, I read fewer now than I ever have. This has come about for several reasons. Though I have spent many thousands of hours in museums and galleries, I find that when I’m working on a painting I don’t want to look at other people’s images. They break my concentration and interrupt that precious state of intense yet calm focus which is the desired mode in the studio. As I write more (and blog less, ironically, though that may change soon) I find a similar disruption attends too much reading of other people’s words. Photography, which I have been doing a whole lot of lately, is somewhat different; I got a big pile of cookbooks in December—some of which I want to write about—and I pored over all of them to pick apart the pictures for technical tips.
There’s a certain look to the books I like, and it tends to involve pictures of the food with very little in the way of props. Other books, especially those aimed at a wider audience, tend to be more visually noisy and overstyled. Recently, that overdone look has become epidemic in food blogs as everyone tries to get their numbers ever higher. I’m not a great photographer, but I have become a decent one. And I have done so not on the strength of my styling or the depth of my prop collection, but through my attention to light and how it can be captured, controlled, reflected, and finagled to flatter a plate of food or the act of preparing one.
I’ll be on WPKN radio in Bridgeport, Connecticut tomorrow morning at 9:15, talking about regional spirits and drinks for holiday gift-giving and numbing the anguish of spending extended time with family. Down below there’s a list of links to producers I will likely mention.